While we are all adjusting to the paradigm shift brought on by COVID-19 (Coronavirus) I will be performing a show every night and streaming it live via FACEBOOK LIVE. The shows will vary in length from 15 to 30 minutes and sometimes I will have The Good For Nothin' Band with me. The rest of the time it will be solo acoustic shows. While government and healthcare officials encourage "social distancing" and self quarantine, I will try and bring a bit of levity to your new daily routine. Please join me by "liking" our Facebook page. The LIVE feed will stream nightly at 7pm CST. Stay Safe!
There's only one local New Orleans artist who boasts the success of writing all original music, collaborating with other recognized songwriters, performing live on a daily basis, and writing for film and television, all while staying true to his musical influences. Jon Roniger does not shy away from being slick, sly and charming as he wraps himself up in authenticity, embodying a combination of the legendary local Harry Connick Jr., as well as the iconic Tom Waits, Paul Simon, and Randy Newman.
After spending years traveling the world, Roniger is proud of his roots in New Orleans. He playfully sings odes to NOLA's infamous streets, historic landmarks and succulent foods. He delivers it all in a sweet, melodic vocal style, mixed with moments of beautifully rough and fast-paced singing reminiscent of Bob Dylan channeling Donald Fagen. It leaves the listener wondering how he's mastered blending them all together.
With his vast repertoire of a dozen albums to date, including "Maniac World" in 2016, "Live at the Mint" in 2015, the 2014 "Gypsyland" in which he sings primarily in French, "Dirty Gypsy" in 2013 which boasts an ambitious track listing of 28 acoustic songs, and "NOLA Rolls" as his 2012 EP, Roniger is no stranger to versatility. While he refers to his musical content and style as "twisted tales from the seedy side", he consciously writes in ways that evoke happiness, laughter, light sways of romance, sadness, and a sudden urge to dance. He does this seamlessly from one song to the next, while staying true to his influences.
A brief stint in Nashville has garnered Roniger the privilege to write with and/or for independent and signed artists who call Music City their home. His primary co-writer is the talented and well-known Chris Gantry, who had a #1 hit, "Dreams of the Everyday Housewife" in 1968, and worked with musical legends including Johnny Cash and Kris Kristofferson.
When Roniger is not busy creating magical concoctions of jazz, folk and blues for his own albums, or writing in a variety of styles for others, he can be found writing and composing music for film and television. You can hear his work in the feature film "Island of Fantasy", TV shows "Platinum Babies", "I Used To Be Fat", "Extreme Couponing", various songs on HGTV and a theme song for UK Based company, Bedford for Beds. In addition, he can be seen in a small acting roll for a Belvita Breakfast Snacks commercial from 2014 and in Nashville's Rhinestone Wedding Chapel from 2013.
"Jon Rongier and his cohorts have fused often surprisingly poetic and image-filled lyrics with the melodic and highly stylized textures of Dixieland jazz and Delta blues. While it may sound effortless, the band practically crackles with chops on each cut.” — Lydia Hillenburg, Vents Magazine (Oct 14, 2016)
"Everything about this unit is steeped in the history and environs of the Crescent City with a roar of tradition, conviction, and an unquenchable thirst for new wine in old bottles. There’s something to satisfy every sensibility. This is an outfit with a boundless future.” — Michael Saulman, Gashouse Radio (Oct 14, 2016)
"There’s an original voice at work here, sly and sophisticated without being too self-conscious. If you want a date-night cocktail of real NOLA flavors, fizzy and giddy enough to seduce whomever you’re giving the side eye to, spin them around to this. It deftly sidesteps the hard sell.” — Robert Fontenot, Offbeat Magazine
"One of the band’s most important ingredients is a sense of humor, but they never play the material or the genre as a whole for laughs. Instead, the band’s songwriting humor relies on discovering the absurdity in life rather than pursuing gimmickry and novelty.” — Lance Wright, Indiemunity (Oct 14, 2016)
"Jon Roniger and The Good For Nothin' Band's "Maniac World" strikes notes of the familiar, but overall, it’s quite unlike anything you’ll hear. It's an impressive debut that sets the band up nicely for the future and establishes a very flexible musical template that shows no limits about where they can take it.”— Skope, Skope Mag (Oct 18, 2016)